Website review: The Artchive - Image Viewer

Ogmin Ogmin discovered this in Arts 74 reviews since Mar 30, 2004
icon tagsarts, painting, paintings artchive.com/viewer/z.html

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goozook666 rated 5 weeks ago
just look! Hushhhhhh...
Quizzler rated 2 months ago
Two Women at a Window....by Murillo...One of my favorite paintings at the National Gallery of Art in D.C.
wixter rated 3 months ago
Gustav Klimt, Death and Life, 1916, Oil on canvas, 178 x 198 cm
A44Patricia rated 3 months ago
St.John the Baptist by Leonardo Da Vinci
Antidotes rated 3 months ago
The Road Not Taken Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that, the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I -- I took the one less traveled by, And that has made all the difference. Robert Lee Frost
mottel rated 4 months ago
Chagall's intimate perception of Paris
ChiJoe rated 4 months ago
My absolute favorite! Lucky for me it is in Chicago, I can see it whenever.
Tamarlass rated 4 months ago
The image viewer is always helpful. /www.artchive.com/viewer/z.html"">
lucecorner rated 6 months ago
The natural feeling of anyone looking at Vermeer's Painter in his Studio for the first time would be pleasure in the daylight which falls on the patient model and passes over the map of Holland on the wall, like an incoming tide over the sand. We enjoy a moment of heightened perception, a simple pleasure of the eye. Before my eye can reach the peaceful figure in blue, with her yellow book, it has had to leap some curious obstacles, the swag of curtain, the bizarre silhouette of the painter and the objects on the table, foreshortened almost out of recognition. As I gradually become conscious of these details I begin to notice how curiously they are seen and related to one another. Each shape has that clearly defined identity which one sees in the drawings of children (or did before they were encouraged to express themselves). One still sees things in this way when one is half awake and looks with a sleepy eye at the knob of a bed or a lamp, without quite recognizing what it is. Vermeer has retained this early morning innocence of vision and united it with a most delicate perception of tone.
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