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praising the Lord,in any&every situation is a guy from New York, USA

"Psalms 31:9 Have mercy upon me, O LORD, for I am in trouble: mine eye is consumed with grief, yea, my soul and my belly.

Psalms 121:1 & 2 I will lift up mine eyes unto the hills, from whence cometh my help.
My help cometh from the LORD, which made heaven and earth.

1st Peter 4:12 & 13 Beloved, think it not strange concerning the fiery trial which is to try you, as though some strange thing happened unto you:
But rejoice, inasmuch as ye are partakers of Christ's sufferings; that, when his glory shall be revealed, ye may be glad also with exceeding joy.

Jeremiah29:11-13 For I know the thoughts that I think toward you, saith the LORD, thoughts of peace, and not of evil, to give you an expected end.
Then shall ye call upon me, and ye shall go and pray unto me, and I will hearken unto you.
And ye shall seek me, and find me, when ye shall search for me with all your heart.

ThnksToAn SU PalForTheJeremiahStuff.

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    From the page: "Werewolf? There Wolf!"
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    From the page: "Watch Camp FEMA Online"
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    From the page: "Three years in the making, this cinéma-vérité feature from acclaimed filmmaker Joe Berlinger is the epic story of one of the largest and most controversial legal cases on the planet. An inside look at the infamous $27 billion Amazon Chernobyl case, CRUDE is a real-life high stakes legal drama set against a backdrop of the environmental movement, global politics, celebrity activism, human rights advocacy, the media, multinational corporate power, and rapidly-disappearing indigenous cultures. Presenting a complex situation from multiple viewpoints, the film subverts the conventions of advocacy filmmaking as it examines a complicated situation from all angles while bringing an important story of environmental peril and human suffering into focus. "
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  • Urban Cinefile CROWE, RUSSELL - CINDERELLA MAN

    Rated Apr 27 2009 1 review boxing, movies urbancinefile.com.au

    From the page: "TURNING INTO CINDERELLA MAN
    Crowe began the process by immersing himself in the archives of photographs and
    film reels that still exist of Braddock in his fighting heyday. He spent hours
    meticulously analysing the fighter's every movement and facial expression in the
    ring, dissecting his character's drive and persistence from the outside in. At
    the same time, Crowe began to study the art of boxing - the sport known as "the
    sweet science" for its multifaceted mix of grace, grit and strategy - with
    trainer Angelo Dundee, who for 21 years trained the greatest champion of them
    all, Muhammad Ali.

    The next task was to whip Crowe into the highly conditioned shape of a hungry
    pro boxer. But because Crowe was devoted to absolute authenticity, he didn't
    want to use today's far more sophisticated training methods; rather, he wanted
    to use the same bare-bones methods Jim Braddock would have used. From research,
    Crowe learned that boxers in the 1930s rarely trained with weights, giving them
    a less cut physique than current boxers, so his program studiously avoided
    pumping iron. Instead, the emphasis was put on cardio and endless days and
    nights of sparring, sparring and more sparring in the ring - which eventually
    transformed the actor from 228 pounds of Master and Commander's Captain Jack
    Aubrey to Braddock's fighting weight of 178.

    Taking advantage of the actor's natural athleticism, Dundee brought in trainer
    Wayne Gordon, himself a former Olympic boxer, to design a regimen that included
    kayaking, swimming, running, biking, hiking mountains, skipping rope and working
    a bag - all designed to build a naturally strong (but not overly muscular) body
    built for power and endurance. Crowe trained with typical intensity, dropping
    numerous pounds to better emulate Braddock's physique--the physique some said was
    too light and too battered to ever even hope for a regional win, let alone a
    heavyweight championship.

    To better capture Braddock's unique pugilistic style, Crowe also worked on
    choreography with Angelo Dundee, who was lucky enough to have witnessed Braddock
    fight in person on several occasions. The trainer taught Russell to use the left
    hook that Braddock developed to overcome the weakness of his right hand and even
    how to carry his body as if he were several inches taller, as Braddock was.
    Crowe's complete transformation took Dundee aback. "I would go so far as to
    say Russell is Jim Braddock," says the venerable trainer. "I'm amazed the way
    Russell picked up his mannerisms, his smoothness, the legs, the way he slides,
    that slip, slide, block, slide, jab - boom! Like Jim, he has just about the
    greatest left hook I've ever seen. He's got the speed, the rhythm, the
    determination and especially the will. Best of all, he has learned to think like
    a fighter. One thing about Braddock is that he was a smart fighter, and Russell
    uses his noodle just like Braddock did. I do think if he wasn't an actor,
    Russell could have been a great fighter."


    "I've simply never seen anyone dedicate themselves to
    a part with more intensity than Russell Crowe"


    Despite having worked with Crowe before, Ron Howard was also surprised by how
    Crowe used his physical changes to demonstrate Braddock's transformation as a
    man. "What Russell has done so well is to let Braddock evolve during the course
    of the movie - as both a fighter and as a person. Russell draws from what he
    discerns and then reflects that back in a very detailed way. It's the root of
    his immense talent. He has great instincts about what makes his character tick
    and how to express it. The fights needed to be a reflection of Braddock's
    character and Russell was able to do that. Once again as an artist he proved
    himself to be superb."

    Adds producer Brian Grazer: "I've simply never seen anyone dedicate themselves
    to a part with more intensity than Russell Crowe."
    Urban Cinefile CROWE, RUSSELL - CINDERELLA MAN
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