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Rated Jul 08 • 1 review • photography, poetry • flickr.com

A sepal, petal, and a thorn
A sepal, petal, and a thorn
Upon a common summer's morn--
A flask of Dew--A Bee or two--
A Breeze--a caper in the trees--
And I'm a Rose!
Emily Dickinson
Rated Jul 07 • 1 review • photography, poetry, flickr • flickr.com

The River-Merchant's Wife: A Letter
After Li Po
While my hair was still cut straight
across my forehead
I played at the front gate, pulling
flowers.
You came by on bamboo stilts, playing
horse,
You walked about my seat, playing with
blue plums.
And we went on living in the village of
Chokan:
Two small people, without dislike or
suspicion.
At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never
looked back.
At fifteen I stopped scowling,
I desired my dust to be mingled with
yours
Forever and forever and forever.
Why should I climb the lookout?
At sixteen you departed,
You went into far Ku-to-en, by the river
of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise
overhead.
You dragged your feet when you went
out,
By the gate now, the moss is grown,
the different mosses,
Too deep to clear them away!
The leaves fall early this autumn, in
wind.
The paired butterflies are already
yellow with August
Over the grass in the West garden;
They hurt me. I grow older.
If you are coming down through the
narrows of the river Kiang,
Please let me know beforehand,
And I will come out to meet you
As far as Cho-fu-sa.
Translated by Ezra Pound
Ezra Pound
Rated Jul 07 • 1 review • photography, poetry • flickr.com

the way to hump a cow is not
to get yourself a stool
but draw a line around the spot
and call it beautifool
to multiply because and why
dividing thens by nows
and adding and(i understand)
is hows to hump a cows
the way to hump a cow is not
to elevate your tool
but drop a penny in the slot
and bellow like a bool
to lay a wreath from ancient greath
on insulated brows
(while tossing boms at uncle toms
is hows to hump a cows
the way to hump a cow is not
to push and then to pull
but practicing the art of swot
to preach the golden rull
to vote for me(all decent mem
and wonens will allows
which if they don't to hell with them)
is hows to hump a cows
ee cummings
Rated Jul 06 • 1 review • painting, photography • flickr.com
Farm Implements and Rutabagas in a Landscape
The first of the undecoded messages read: "Popeye sits
in thunder,
Unthought of. From that shoebox of an apartment,
From livid curtain's hue, a tangram emerges: a country."
Meanwhile the Sea Hag was relaxing on a green couch: "How
pleasant
To spend one's vacation en la casa de Popeye," she
scratched
Her cleft chin's solitary hair. She remembered spinach
And was going to ask Wimpy if he had bought any spinach.
"M'love," he intercepted, "the plains are decked out
in thunder
Today, and it shall be as you wish." He scratched
The part of his head under his hat. The apartment
Seemed to grow smaller. "But what if no pleasant
Inspiration plunge us now to the stars? For this is my
country."
Suddenly they remembered how it was cheaper in the country.
Wimpy was thoughtfully cutting open a number 2 can of spinach
When the door opened and Swee'pea crept in. "How pleasant!"
But Swee'pea looked morose. A note was pinned to his bib.
"Thunder
And tears are unavailing," it read. "Henceforth shall
Popeye's apartment
Be but remembered space, toxic or salubrious, whole or
scratched."
Olive came hurtling through the window; its geraniums scratched
Her long thigh. "I have news!" she gasped. "Popeye, forced as
you know to flee the country
One musty gusty evening, by the schemes of his wizened,
duplicate father, jealous of the apartment
And all that it contains, myself and spinach
In particular, heaves bolts of loving thunder
At his own astonished becoming, rupturing the pleasant
Arpeggio of our years. No more shall pleasant
Rays of the sun refresh your sense of growing old, nor the
scratched
Tree-trunks and mossy foliage, only immaculate darkness and
thunder."
She grabbed Swee'pea. "I'm taking the brat to the country."
"But you can't do that--he hasn't even finished his spinach,"
Urged the Sea Hag, looking fearfully around at the apartment.
But Olive was already out of earshot. Now the apartment
Succumbed to a strange new hush. "Actually it's quite pleasant
Here," thought the Sea Hag. "If this is all we need fear from
spinach
Then I don't mind so much. Perhaps we could invite Alice the Goon
over"--she scratched
One dug pensively--"but Wimpy is such a country
Bumpkin, always burping like that." Minute at first, the thunder
Soon filled the apartment. It was domestic thunder,
The color of spinach. Popeye chuckled and scratched
His balls: it sure was pleasant to spend a day in the country.
--John Ashbery
Rated Jul 06 • 1 review • photography, stumbleupon, birthday • flickr.com

Happy Birthday Sis! Love,kisses, and wump-ups from the midwest, doll!
A Phonecall from Frank O'Hara
"That all these dyings may be life in death"
I was living in San Francisco
My heart was in Manhattan
It made no sense, no reference point
Hearing the sad horns at night,
fragile evocations of female stuff
The 3 tones (the last most resonant)
were like warnings, haiku-muezzins at dawn
The call came in the afternoon
"Frank, is that really you?"
I'd awake chilled at dawn
in the wooden house like an old ship
Stay bundled through the day
sitting on the stoop to catch the sun
I lived near the park whose deep green
over my shoulder made life cooler
Was my spirit faltering, grown duller?
I want to be free of poetry's ornaments,
its duty, free of constant irritation,
me in it, what was grander reason
for being? Do it, why? (Why, Frank?)
To make the energies dance etc.
My coat a cape of horrors
I'd walk through town or
impending earthquake. Was that it?
Ominous days. Street shiny with
hallucinatory light on sad dogs,
too many religious people, or a woman
startled me by her look of indecision
near the empty stadium
I walked back spooked by
my own darkness
Then Frank called to say
"What? Not done complaining yet?
Can't you smell the eucalyptus,
have you never neared the Pacific?
`While frank and free/call for
musick while your veins swell'"
he sang, quoting a metaphysician
"Don't you know the secret, how to
wake up and see you don't exist, but
that does, don't you see phenomena
is so much more important than this?
I always love that."
"Always?" I cried, wanting to believe him
"Yes." "But say more! How can you if
it's sad & dead?" "But that's just it!
If! It isn't. It doesn't want to be
Do you want to be?" He was warming to his song
"Of course I don't have to put up with as
much as you do these days. These years.
But I do miss the color, the architecture,
the talk. You know, it was the life!
And dying is such an insult. After all
I was in love with breath and I loved
embracing those others, the lovers,
with my body." He sighed & laughed
He wasn't quite as I'd remembered him
Not less generous, but more abstract
Did he even have a voice now, I wondered
or did I think it up in the middle
of this long day, phone in hand now
dialing Manhattan
Anne Waldman, "A Phonecall from Frank O'Hara" from Helping the Dreamer: Selected Poems, 1966-1988. Copyright © 1989 by Anne Waldman. Reprinted with the permission of Coffee House Press, Minneapolis, coffeehousepress.com [coffeehousepress.com] .
Rated Jul 06 • 1 review • photography • flickr.com

Dance Figure
For the Marriage in Cana of Galilee
Dark-eyed,
O woman of my dreams,
Ivory sandalled,
There is none like thee among the dancers,
None with swift feet.
I have not found thee in the tents,
In the broken darkness.
I have not found thee at the well-head
Among the women with pitchers.
Thine arms are as a young sapling under the bark;
Thy face as a river with lights.
White as an almond are thy shoulders;
As new almonds stripped from the husk.
They guard thee not with eunuchs;
Not with bars of copper.
Gilt turquoise and silver are in the place of thy rest.
A brown robe, with threads of gold woven in
patterns, hast thou gathered about thee,
O Nathat-Ikanaie, 'Tree-at-the-river'.
As a rillet among the sedge are thy hands upon me;
Thy fingers a frosted stream.
Thy maidens are white like pebbles;
Their music about thee!
There is none like thee among the dancers;
None with swift feet.
Ezra Pound
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