Rated
May 05 2007
•
7 reviews
•
fiction, war
• wired.com
"For about a week, no one in Washington or Ottawa could invent a reason for anyone to be in Tehran. Then Mendez hit upon an unusual but strangely credible plan: He'd become Kevin Costa Harkins, an Irish film producer leading his preproduction crew through Iran to do some location scouting for a big-budget Hollywood epic. (...)

To build his cover, Mendez put $10,000 into his briefcase and flew to Los Angeles. He called his friend John Chambers, the veteran makeup artist who had won a 1969 Academy Award for Planet of the Apes and also happened to be one of Mendez's longtime CIA collaborators. Chambers brought in a special effects colleague, Bob Sidell. (...)

All they needed now was a film -- and Chambers had the perfect script. Months before, he had received a call from a would-be producer named Barry Geller. Geller had purchased the rights to Roger Zelazny's science fiction novel, Lord of Light, written his own treatment, raised a few million dollars in starting capital from wealthy investors, and hired Jack Kirby, the famous comic book artist who cocreated X-Men, to do concept drawings. (...)

Since Chambers had been hired by Geller to do makeup for the film, he still had the script and drawings at his house. The story, a tale of Hindu-inspired mystical science fiction, took place on a colonized planet. Iran's landscape could provide many of the rugged settings required by the script. A famous underground bazaar in Tehran even matched one of the necessary locations. "This is perfect," Mendez said. He removed the cover and gave the script a new name, Argo -- like the vessel used by Jason on his daring voyage across the world to retrieve the Golden Fleece. (...)"