Rated
Oct 20 2007
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1 review
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education, mathematics, movies, role models, parenting
• theclassicbrown.com
People live up - or down - to expectations. A major example and proof of that was Jaime Escalante's inner-city calculus program depicted in the movie Stand and Deliver. I highly recommend it as a wake-up call regarding what the students believed was possible for them, how he changed that view, and how their achievements were questioned as "impossible".
Then imagine the additional roadblocks society puts in the way of anyone who chooses to ignore "their place". I applaud all those who would soar instead.
This synopsis is an excerpt of a review done by a new teacher.
From the page: "Stand and Deliver is based on the life story of Jaime Escalante, a new high school teacher in East L.A. in 1982, who decides to change the lives of his students by preparing them for an advanced placement test in calculus.
When the movie opens, the socio-economic and cultural demographic of the area is laid out. Hispanic workers line the roads and although the area seems quite culturally alive "a mural exclaims "We are NOT a minority!"-- it is obviously economically disadvantaged..
...His philosophy is simple: "students will rise to the level of expectations" (Menendez 1988). All he requests from them is desire.
Escalante is successful in showing the students that they can get beyond the "barrio" which before they could not see past. He decides that they CAN learn calculus and volunteers to teach the class; he takes them on a field trip so they can see where math can take them; he leads them successfully through a college credit calculus exam that only a fraction of students nationwide can pass.
But in his enthusiasm, Escalante exhibits a degree of devotion to his students that is threatening to the other teachers - they easily dismiss it as new teacher idealism and when he shows endurance, they tell him his expectations for the students are too high.
And there are places where his fellow teachers, if so inclined, might take serious issue with his means of reaching the students. Where his methodology is questionable is in the way he tries to get down to the level of the students. The movie depicts the interests of the students as lying somewhere between sex and violence. At one point, a student asks if they can talk about sex. Escalante responds, "If we talk about sex, I'll have to assign sex for homework" (Menendez 1988). From the back of the classroom you hear a voice saying that she could get him fired for that. But this is really the only time his appropriation of youth-talk is addressed.
Today, I think that he might not have gotten too far past that first week with that kind of candour. He also threatens some of the more violent students, at one point getting right into a student's face, challenging his "machismo." Nothing really ever comes of it and that may be sending a dangerous message to anyone thinking of taking notes from Escalante.
Yes, he was beating them at their own game, but at what risk to his own professional livelihood and personal safety? Escalante comes from the same cultural background as his students and as such could approach them from a place of common understanding - but how far can that go?..."
"...not only does he convince the students of their worth, he challenges a whole system of expectations biased against socio-economic status and race. We see this bias in action when the ripples of their success spread through the academic community and the students are accused of cheating due to their high test scores. In the end, the students redeem themselves through a retest that they never should have had to take. And Escalante pays a personal price for his devotion - his neglected family pleads with him to slow down and finally, a heart attack leaves him with no other choice.
...he succeeds in the face of incredible forces working against him - perhaps he is lucky in some instances, but perhaps something about his humanity works- flawed as he may be, he reaches those students."